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Follow Friday: @MarkAdomanis injects nuance and numbers into Russia debate

On February 28, when reports started coming in that unidentified armed men in combat gear were patrolling outside Crimea’s airport and had occupied the region’s parliament building, Forbes contributor Mark Adomanis (@MarkAdomanis) took to his blog, ‘The Russia Hand’, to

Bullfighting without matadors in northern Spain

Angus “The Scottish Rocket” Ritchie is giving me advice. “If I’m behind you when you look back, that’s good. If you see me ahead of you, that’s very bad.” We are standing on Calle Madrid in Ciudad Rodrigo, looking down

Follow Friday: @ClaireBerlinski, talking Turkey in Paris

The footage out of Istanbul this week was depressingly familiar. The water cannons. The riot police. The Occupy Gezi protesters who last year captured the world’s attention—Turkish flags waving above Taksim Square and all that—once again feeling the brunt of

Lives intersect in brutal vortex of Chechnya

As anyone who has visited Chechnya will tell you, it is not an easy place to forget. On the other hand, it is also one that seems intent on forgetting. Not for Grozny the memorials of cities such as Volgograd,

‘William S. Burroughs: A Life’ by Barry Miles

On September 6, 1951, William S. Burroughs was walking down a Mexico City street when he realised he was crying. “What in hell is wrong with you?” he thought to himself. He joined his common-law wife, Joan Vollmer, and they

Follow Friday: @bloggingsbyboz, who has both eyes on Latin America

It has already been an eventful year for a Western media dazzled by the Sturm und Drang of protest and revolution. In the first few months of 2014, it has occasionally paid to have monocular vision: protest-watchers have needed one

Criticism as eulogy

We remember plays for all the wrong reasons. Maybe not as critics—as critics, we are paid to focus on the right reasons, and in any case don’t usually have the column inches to focus on the wrong ones—but certainly as

Drawing conclusions from the work of El Roto

The Centro de Arte Contemporáneo de Málaga is currently hosting an exhibition of works by El Roto, the pseudonym of Spanish cartoonist Andrés Rabago, whose work appears regularly in the daily newspaper El País. Entitled ‘Apocalipsis: Cartoons from the Book