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At the beginning of For for Fake, Orson Welles’ 1973 essay film about forgery, deception and lies, the filmmaker addresses the audience directly and sets out a thesis for what is to follow. “Tell it by the fireside or in

The former British hill station of Mussoorie, in the foothills of the Himalayas, affords the visitor two extraordinary views. Facing south, one takes in the seemingly endless Doon Valley, lit up at night by the city of Dehradun. That city

At the beginning of William Dalrymple’s The Anarchy: The East India Company, Corporate Violence, and the Pillage of an Empire, the award-winning Scottish historian states plainly the thesis of his latest work: that the Company’s “military conquest, subjugation and plunder

Not three months after it won a second term in power—and only five since it rewrote the rules of engagement in South Asia in a balls-to-the-wall display of reckless one-upmanship—the Hindu nationalist government of Narendra Modi is showing once again

With the whole world lurching towards populism, nationalism, and, in some cases, outright authoritarianism, it can tempting to sit around drawing parallels between various deplorables. Marine Le Pen is to Matteo Salvini as Putin is to Erdoğan. Chan-o-cha is Thailand’s

To every television series—turn, turn, turn—there is a season. Indeed, occasionally, there are several. But all eventually come to an end. By strange coincidence, this year has already seen a number of comedies, including three of the greats, bow out

